Archive for April, 2006

Take Your Ideas Seriously, But Not Yourself

Friday, April 14th, 2006

One problem I encounter with some of my clients is that they take themselves so seriously, they are afraid to express themselves in anything but dull, elevated and abstract language. The result? They don’t get quoted.

Billionaire investor Warren Buffett is obviously a man who takes money seriously, but he never puts on airs himself. In April 2006 he was on the floor of the New York Stock Exchange being interviewed by reporters. Buffett’s message was that even though he is 75 years old, he is still looking for new investment opportunities and is still a vital worker. But is he had said it like that it would have been boring and unquotable. Instead, he told reporters the following:

Consistency and Repetition are Key When Communicating

Friday, April 14th, 2006

Woody Allen once said that “80% of success in life is just showing up.” I don’t know that I agree with that completely, but there is a large element of truth to that when it comes to communicating. Too many people just fail to show up the second or third or fourth time they should be communicating with an audience.

I routinely go to the websites of peers in my industry of media training and presentation coaching to sign up for their email newsletters. These are usually billed as monthly or quarterly newsletters. But a funny thing happens, after the first or second newsletter, I never receive anymore. And it’s not because they have removed me from their list for competitive reasons; they have no new newsletters posted on their web site either. They just give up.

Is Your Speech Dying?

Wednesday, April 12th, 2006

Some Speakers give roughly the same speech to different audiences for several months and their speeches get flatter and more boring as time goes on. The life goes out of the speech.Other speakers give the same speech for months at a time and it gets better; it improves with age.

What is the difference?

Media Bad Apples In the Big Apple

Tuesday, April 11th, 2006

I have dealt with thousands of reporters, journalists, talk show hosts and others in the media business during my lifetime and other than a few obnoxious shock jocks who pulled guns on me or hung up on me, I’ve always been treated honorably and fairly.
But the media field is no different from politics or law or teaching-bad apples exist.

In March 2006 billionaire investor Ron Burkle figured out that he was being extorted by a gossip columnist for the New York Post, so Burkle alerted the authorities and had his meeting with the reporter, Jared Paul Stern, videotaped. Below are excerpts of the transcript of this meeting, as first reported in the New York Daily News.

Lighting Your Audience

Monday, April 10th, 2006

Finally, you’ve moved up to the big leagues. You’ve been asked to speak at your yearly convention in front of 1000 people. Your last dozen speeches around the country in front of 75 people at a time have been a smash hit. Your reputation has been growing and growing.
 
You are up on the platform, the spotlight is on you, the audience sits in reverence in the dark, you deliver the speech and then…
 
You bomb!
 
What happened? Your speech is the same. Your material wowed them in Cleveland and San Antonio. Why did you fail with this crowd?
 
The one crucial difference, besides the size of the crowd, was lighting. If the spotlight is on you and the audience is in the dark, everything about the dynamics of the speech changes. Sitting in the dark, your audience can feel lost and anonymous. They feel as if they are no longer a part of the process or the dialogue. Audience members also can’t see facial reactions from the people sitting around them as easily either. Darkness makes it easier for the audience to disengage, even daydream. And let’s face it, it is always easier to fall asleep when sitting in the dark.
 
Since you can’t see individual faces as the speaker, you aren’t able to give direct eye contact anymore. You the speaker seem much less connected in every way to the audience.
 
Here are my recommendations regarding lighting:
 
1. Request that lights NOT be turned down on the house when you are speaking.
2. If lights are turned down, request that they be put back up before you start to speak.
3. If lights have still not been turned on, then request that they be turned on while you are speaking.
4. Regardless if the lights are turned on, walk out into the aisles and converse with audience members as a part of your speech. This will force the spotlight to follow you.
5. Even if you can’t see audience members’ eyes, look at one spot for an entire thought as if you were looking at one person. This will make you seem less shaky because your eyes won’t be darting around as much. You will appear to be giving direct eye contact even though you aren’t.
6. If your time and format allow, bring an audience member up on the stage to ask a question or to create a dialogue.

Build Your Speaking Skills for the Job You Want, Not the Job You have

Friday, April 7th, 2006

Everyone has heard the expression, “dress for the job you want, not the job you currently have,” meaning dress better than you need to now. Dress at a more professional level so that people can visualize you in that higher position. Not only will you be more likely to get the higher position, but once you are there, the transition period will be smoother.

This is sound advice and can also be applied to public speaking skills. Many executives make the mistake of thinking, “my current job doesn’t require much public speaking, so I don’t have to worry about that now. As my career develops, I’ll have plenty of time to develop speaking skills later.”

People Can Hear Confidence In Your Voice

Thursday, April 6th, 2006

Rehearse Your Lines

Wednesday, April 5th, 2006

 
Most of the time, I beg my clients NOT to memorize their speeches, presentations, message points or sound bites. It’s hard to memorize and there is no real advantage to doing so—most of the time.
 
However, there may be times when you are asked to be a part of a training video or other production where timing, humor and interaction with others are crucial. It that case, you may be asked to deliver lines exactly as they were written.
 
If you try to get it right the first time, you will put too much pressure on yourself and you will mess up big time. Even worse, if you don’t redo it, people will be watching your mistakes or wooden delivery for months and years to come. Don’t let this happen.
 
Instead, you can go about a step-by-step process to make sure you deliver your lines professionally, even though you aren’t a trained actor.
 
Here are nine key steps that will simplify the process.
 
1.    Read your lines out loud several days before the taping is to take place.
2.    Try to learn as much about the background of the issues involved and your character, if you are trying to be someone other than yourself.
3.    Practice out loud with the other participants of the video.
4.    Do a full scale walk-through rehearsal with the other participants without videotaping (this takes the pressure off and allows you to form groves in your brain for the words).
5.    Do the taping of your video a couple of times with the understanding that you will use these as a rough draft.
6.    Stop and watch the first two videos of your performance. Note what you liked and didn’t like.
7.    Do two more tapings of your video (you are now comfortable with the material and you know your lines).
8.    Watch the two tapings and select the best one.

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Tuesday, April 4th, 2006

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Advanced Eye Contact Techniques

Tuesday, April 4th, 2006

Through my years as a media trainer I’ve noticed seven common key blunders that average-to-better speakers make when they are trying to improve eye contact with their audience members. They are as followed:
 
1.    Looking at one or two friendly faces to the exclusion of all others.
2.    Focusing exclusively on the one or two least friendly faces, in order to win them over.
3.    Focusing on just one part of the room, especially those in the exact center (to the exclusion of people on the sides and the back).
4.    Giving excessive eye contact to the boss or the senior client/prospect in the room (a great way to make everyone else feel insignificant).
5.    Looking at one person for longer than one thought (this can seem like freaky staring).
6.    Ignoring any one individual when you have a small audience (say, less than 30 people).
7.    Looking too intently and blankly (you need a smile or some other expression to liven things up).
 
Remember, the real key to great eye contact with your audience is to hold one person’s eyes for a whole thought and then to move to someone else. Each time imagining that you are having a one-on-one conversation with that one person. And then continuing to do this in a zig zag way in order to connect with as many individual audience members in the room as possible during your presentation.